Emotion Sale Transaction at a Modern Counter
theatrical film clip, somber transaction · 16:9 · 33 shots, 8.3s average
컷 33개 · 1명이 열어봤어요 · 조회 25
소스 스트립 · 샷 33개3개 열림 · 30개 잠김
원본 캡션 — “붉힘 (IN BLOOM) — AI Short Film, 2026 Dir./Written/Produced by Subin Kim 사랑에 빠진 순간의 홍조가 '수확 타이밍'인 근미래. 20년간 얼굴을 붉히지 않은 여자가 마침내 사랑에 빠지지만, 그 남자는 그녀의 첫사랑을 팔러 온 수확꾼이었다. A near-future fable where the involuntary blush of falling in love is the signal it can be harvested and sold — and a woman who refused to feel for twenty years finally blooms, for the wrong man. — AI Pipeline (generative AI is central to this work): Stills: OpenAI gpt-image-2 · Image-to-video: Higgsfield Seedance 2.0 Lip sync: sync.so · Voice/Music/SFX: ElevenLabs · Edit: ffmpeg English subtitles burned in. Korean w/ EN subs. 4:35 · 1080p. #SpecialForAAIFF”
분해할 컷을 고르세요 — 10 크레딧이면 그 컷을 읽어 조명 배치·스테이징 도면·레퍼런스 시트를 그립니다. 인물이 안 읽히는 컷은 도면만 오고 시트는 없습니다.
A man counts money while a woman sits between him and a female employee who is handling small vials on a counter.
소리와 화면 글자
컷에서 받아 적은 것- 소리
- machine sound, ding sound, soft background music
- 대사
- 감정 판매 절차 완료됐습니다. 다음에 또 사랑하시게 되면 찾아주세요.
- 화면 글자
- Your emotion sale is complete. Come again when you fall in love.
노출
폴스컬러 · 웨이브폼팔레트
픽셀에서 잰 값- 지배색
- #222625
- 샷
- MS
- 길이
- 8.00s
조명 배치
2:1- 노출
- T2.8-T4
스테이징
Three Shot- A
- man at counter
- B
- woman at counter
- C
- clerk at counter
- 커버리지
- Single setup
- 렌즈
- 35–70 mm
- 카메라 높이
- 1.55 m
인물과 장소
여러 컷에서 다시 쓰입니다
A
B
C
카메라
static렌즈
프롬프트S05
시작 프레임을 만드는 것, 끝 프레임을 만드는 것, 그 둘 사이를 움직이게 하는 것.
- S0535.00–43.00s · MS16:91 · 시작 프레임정지 이미지
A single photographic film still, 16:9 aspect ratio, MS shot. The opening moment of this shot: A man counts money while a woman sits between him and a female employee who is handling small vials on a counter. A man with short dark hair, wearing a dark jacket over a dark shirt. He is holding a stack of money. (contemporary, casual styling). A young woman with long dark hair pulled back, wearing a dark gray tweed-like jacket over a light top. She has a somber expression. (contemporary, slightly formal styling). A woman with dark hair tied back, wearing a gray and black uniform jacket with a white collar. She is handling small vials. (contemporary, professional uniform styling). A modern, dimly lit interior space with a long, dark counter. Behind the counter are shelves with various items and a large, framed artwork. There are several small, amber-colored vials arranged on a white tray on the counter. Placement: man at counter at frame left, mid ground; woman at counter at centre frame, mid ground; clerk at counter at frame right, mid ground. shot on roughly 35–70mm, camera about 1.55m off the ground. Lighting: soft, key, from camera left, slightly in front of the subject, high height, 5000K; soft, fill, from camera right, slightly in front of the subject, eye height, 5000K; soft, back, from behind the camera, straight onto the subject, overhead height, 5000K. Key to fill ratio about 2:1. Colour palette drawn from #222625, #090e12, #3c3e3c, #5d6463. cool, desaturated grade with muted blues and grays, shadows are soft but deep. clean digital capture, shallow depth of field focusing on the central woman, minimal grain. No text, no captions, no watermark, no split screen — one continuous frame.
2 · 끝 프레임이 컷은 멈춰 있어서 시작 프레임 하나면 됩니다 — 두 번째 프레임을 주면 원본에 없는 움직임을 지어냅니다.
3 · 영상두 프레임을 움직인다SCENE CONTEXT — This cut runs 8s. A man counts money while a woman sits between him and a female employee who is handling small vials on a counter. A man with short dark hair, wearing a dark jacket over a dark shirt. He is holding a stack of money. (contemporary, casual styling). A young woman with long dark hair pulled back, wearing a dark gray tweed-like jacket over a light top. She has a somber expression. (contemporary, slightly formal styling). A woman with dark hair tied back, wearing a gray and black uniform jacket with a white collar. She is handling small vials. (contemporary, professional uniform styling). A modern, dimly lit interior space with a long, dark counter. Behind the counter are shelves with various items and a large, framed artwork. There are several small, amber-colored vials arranged on a white tray on the counter. ACTION BEATS — Beat 1 (0.0–8.0s): shot begins with a man counting money, a woman looking forward, and another woman operating a device. Subject movement across this cut measures about 8.1% of frame width — the subject keeps moving through every beat and never freezes into the opening frame. ACTING — Micro-pauses before reactions, precise eye-line (never into the lens), wet living eyes with catch-lights, visible breath and chest rise, weight readable through the body. Physics respected throughout DIALOGUE — The speaker says: "감정 판매 절차 완료됐습니다. 다음에 또 사랑하시게 되면 찾아주세요." Only the lines inside quotes are spoken. No ad-libs. CAMERA — MS framing. shot on roughly 35–70mm, camera about 1.55m off the ground. Placement: man at counter at frame left, mid ground; woman at counter at centre frame, mid ground; clerk at counter at frame right, mid ground. LIGHT & PALETTE — Lighting: soft, key, from camera left, slightly in front of the subject, high height, 5000K; soft, fill, from camera right, slightly in front of the subject, eye height, 5000K; soft, back, from behind the camera, straight onto the subject, overhead height, 5000K. Key to fill ratio about 2:1. Colour palette drawn from #222625, #090e12, #3c3e3c, #5d6463. cool, desaturated grade with muted blues and grays, shadows are soft but deep. clean digital capture, shallow depth of field focusing on the central woman, minimal grain. Exact hues are inherited from the opening frame — do not impose any colour cast of your own. SOUND — Heard in this cut: machine sound, ding sound, soft background music. No subtitles, no captions. NEGATIVES — NO camera motion. NO blurry. NO text
샷 표
| 인–아웃 | 길이 | 샷 | 무브 (VLM) | 카메라 | 피사체 | |
|---|---|---|---|---|---|---|
| S01 | 0.00–15.00 | 15.00s | — | — | — | — |
| S02 | 15.00–25.00 | 10.00s | — | — | — | — |
| S03 | 25.00–31.00 | 6.00s | — | — | — | — |
| S04 | 31.00–35.00 | 4.00s | — | — | — | — |
| S05 | 35.00–43.00 | 8.00s | MS | static | 7% | 8% |
| S06 | 43.00–50.00 | 7.00s | — | — | — | — |
| S07 | 50.00–57.00 | 7.00s | — | — | — | — |
| S08 | 57.00–64.00 | 7.00s | — | — | — | — |
| S09 | 64.00–74.00 | 10.00s | — | — | — | — |
| S10 | 74.00–85.00 | 11.00s | — | — | — | — |
| S11 | 85.00–91.00 | 6.00s | — | — | — | — |
| S12 | 91.00–97.00 | 6.00s | — | — | — | — |
| S13 | 97.00–122.00 | 25.00s | MS | med handheld tracking + static | 13% | 59% |
| S14 | 122.00–131.00 | 9.00s | — | — | — | — |
| S15 | 131.00–136.00 | 5.00s | — | — | — | — |
| S16 | 136.00–146.00 | 10.00s | — | — | — | — |
| S17 | 146.00–156.00 | 10.00s | — | — | — | — |
| S18 | 156.00–168.04 | 12.04s | — | — | — | — |
| S19 | 168.04–178.04 | 10.00s | — | — | — | — |
| S20 | 178.04–186.04 | 8.00s | — | — | — | — |
| S21 | 186.04–194.04 | 8.00s | — | — | — | — |
| S22 | 194.04–204.04 | 10.00s | ECU | static | 0% | 2% |
| S23 | 204.04–212.04 | 8.00s | — | — | — | — |
| S24 | 212.04–215.04 | 3.00s | — | — | — | — |
| S25 | 215.04–216.75 | 1.71s | — | — | — | — |
| S26 | 216.75–227.04 | 10.29s | — | — | — | — |
| S27 | 227.04–232.04 | 5.00s | — | — | — | — |
| S28 | 232.04–244.04 | 12.00s | — | — | — | — |
| S29 | 244.04–245.38 | 1.34s | — | — | — | — |
| S30 | 245.38–246.71 | 1.33s | — | — | — | — |
| S31 | 246.71–248.12 | 1.41s | — | — | — | — |
| S32 | 248.12–250.62 | 2.50s | — | — | — | — |
| S33 | 250.62–274.67 | 24.05s | — | — | — | — |
로그인하면 컷을 열 수 있습니다 — 하나에 10 크레딧. 연 컷은 내 것이 되어 읽고, 내려받고, 다시 만드는 데 쓸 수 있습니다.
내 영상으로 해보기
영상을 컷으로 쪼개는 것은 무료입니다. 돈은 컷을 열 때만 냅니다.